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  1. Apr 27,  · referencing Silent Tongues - Live At Montreux '74, LP, Album, Club, Num, RE, RM, Gol, ORGM, FLP Sound on this one is dynamic, clean and crisp. Not to mention it’s a beautiful gold/black smoke variant/5().
  2. The set features Taylor's five-movement work "Silent Tongues", along with two encores. After being out of print for nearly four decades, the classic live album has been remastered at Infrasonic Mastering and pressed on audiophile-grade vinyl at Pallas Group in Germany.
  3. View credits, reviews, tracks and shop for the Vinyl release of Silent Tongues on Discogs. Label: Freedom - 26 U,Intercord - 26 U • Format: Vinyl LP, Album • Country: Germany • Genre: Jazz • Style: Free Improvisation.
  4. Quindi potete acquistare tutti gli oggetti che vorrete. il costo rimane invariato. Banca delle Marche,filiale di Acquaviva Picena,intestazione Bollettini Maurizio. / Assegni Circolari, altro.
  5. Cecil Taylor Silent Tongues: Live At Montreux '74 Colored Vinyl LP Cecil Taylor's solo piano set at the Montreux Jazz Festival in drew critical acclaim, earning five star reviews from the Rolling Stone Jazz Record Guide and AllMusic's Scott Yanow. The set features Taylor's five-movement work "Silent Tongues", along with two encores.
  6. Carol / Three Points(Does not appear on LP configuration)- Cecil Taylor Cecil Taylor, "Jitney no. 2", album Silent tongues, live at Montreux Jazz Festival, "Crossing part 1 and 2.
  7. Street Date: 2/15/19 Tracklist Abyss (First Movement), Petals & Filaments (Second Movement), Jitney (Third Movement) Crossing (Fourth Movement) Part One Crossing (Fourth Movement) Part Two After All (Fifth Movement) Jitney No. 2 After All No. 2 2.
  8. Though slightly overrated because it was distributed by a major label (Arista Records) and it won the DownBeat Jazz Album of the Year in , Silent Tongues is still an impressive solo set by Cecil Taylor (recorded live at the Montreux Jazz Festival on July 2, ). Taylor's fingers dance all over the ivories, resulting in frenetic, cathartic avant-jazz.

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